Articles
Listening Studio Report
by John Quinn
Leoncavallo’s Zazà
A survey by Ralph Moore
An interview with Philip L Scowcroft
by Robert Barnett
Humour and Classical Music: Salut Salon
by David Barker
An interview with BIS founder Robert van Bahr
by Robert Barnett
Bellini’s I puritani
A survey by Ralph Moore
Brahms’ Violin Concerto: A Discography
Prepared by Uwe Sauerteig
Humour and Classical Music: Animated Shorts
by David Barker
Beethoven’s Violin Concerto: A Discography
Prepared by Uwe Sauerteig
Three Harder-to-find Rossini Operas
by Ralph Moore
The Twentieth Anniversary of the ARC Ensemble
by Rob Barnett
Humour and Classical Music: Hindemith’s Flying Dutchman Overture
by David Barker
Divine Art at 30
An interview with label founder Stephen Sutton by Rob Barnett
Making It Better
Creating a wind repertoire in the UK by Dr Tim Reynish
An Interview with Conductor Kenneth Woods
Regarding his new recording of Mahler’s Fifth Symphony by Lee Denham
Composing Music in a Time of Crisis
An Interview with Jonathan Leshnoff by Lee Denham
Verdi: His Life and Operas (Part 4)
(From the Archive) A conspectus in four parts by Bob Farr
Verdi: His Life and Operas (Part 3)
(From the Archive) A conspectus in four parts by Bob Farr
Decca’s Golden Ring – The 2022 Remaster
An overview by Jack Lawson
Humour and Classical Music: Johann Strauss II’s Perpetuum Mobile
by David Barker
Verdi: His Life and Operas (Part 2)
(From the Archive) A conspectus in four parts by Bob Farr
Verdi: His Life and Operas (Part 1)
(From the Archive) A conspectus in four parts by Bob Farr
Humour and Classical Music: Dudley Moore
by David Barker
Mozart’s Die Entführung aus dem Serail
A survey by Ralph Moore
 |
 |
 |
Featured Naxos review |
 |
 |
 |
 |
