rmay

Intriguing and consistently well performed arrangements for cello quartet [RM]

Frederick Ashton’s pioneering ballet returns to Covent Garden in a brand new production [RMay]

New light on a largely forgotten conductor – and in better sound than previously thought [RMay]

A worthwhile supplement to more conventional productions [RMay]

This highly-praised Royal Ballet production intrigues and delights [RMay]

A worthwhile effort is sadly – but seriously – flawed [RMay]

A revealing documentary sheds light on a superstar career [RMay]

An enjoyable and intriguing film that’s well worth seeking out [RMay]

Welcome new recordings make a fine case for Huber’s lighter output [RMay]

Enjoyably tuneful music, a delight in these attractive accounts [RMay]

A second volume of Lincke’s music offers no surprises but plenty of enjoyment [RMay]

Bregenz gives Giordano’s tragic tale a contemporary twist [RMay]

Fleming is entirely convincing as a flirtatious and seductive courtesan for whom even a monk might risk his soul [RMay]

A triumphantly achieved Royal Ballet production can now be watched at home [RMay]

Stuttgart Ballet’s survey of choreographer John Cranko’s work continues triumphantly [RMay]

A new team offers a distinctive account of an old favourite [RMay]

La Vecchia and his Rome orchestra do Sgambati proud in a premiere recording [RMay]

Long-forgotten music that’s well worth a listen [RMay]

There may be more to Lincke than the Gavotte Pavlova and Berliner Luft [RMay]

A disc primarily for admirers of Saint-Saëns and 19th century ballet [RMay]

Pioneering full-length accounts of Tchaikovsky’s ballets that will appeal to Doráti’s many admirers [RMay]

A new edition of the definitive study of Ludwig Minkus’s career and work is very welcome [RMay]

A novel and inventive seasonal treat from Scottish Ballet [RMay]

A musical world tour broadens our knowledge of von Suppé’s considerable output [RMay]